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By Creezy Courtoy, Perfume Historian and Anthropologist Perfume, like faith and poetry, does not know borders. From India, the fragrance of flowers and spices traveled on the monsoon winds, carried by merchant ships and caravans. In its wake, it sowed the seeds of civilizations across Southeast Asia, where kingdoms embraced India’s gods, rites, and perfumes as if they had always belonged to them. Legend tells us that distillation itself was revealed to an Indian princess, Nūr Jahān, whose name means “Light of the World.” On the morning of her wedding to Emperor Akbar, she saw delicate vapors rise from the surface of a rosewater fountain. Fascinated, she captured them and understood the secret of distillation. From this revelation, the art of attar reached new refinement, and perfumes became jewels of Mughal courts. Akbar, the great emperor, adored perfumes with such passion that his audience halls forever breathed of amber, agarwood, rose, and jasmine. Scented fountains whispered in his gardens, incense burned in golden braziers, and perfumed smoke enveloped his guests like a celestial embrace. In this atmosphere, perfumery became not only pleasure but also royal science, a craft elevated to the level of painting, music, and poetry. From the first centuries of our era, Indian merchants sailed the South Seas in search of cinnamon, clove, pepper, and resins. They brought with them not only perfumes and spices but also gods, myths, and art. They founded trading posts along the Gulf of Siam, in the Mekong Delta, in Sumatra and Java. The native peoples, enchanted by this refined civilization, absorbed it without resistance. Temples rose where Shiva and Vishnu joined local spirits, and Indian perfumed rites blended with Southeast Asia’s forests and rivers. In Oc-Eo, in present-day Vietnam, archaeologists uncovered jewels, statues, and perfumes from Rome, India, and China, proving this city of Fou-Nan was a crossroads of the world. From there, Indian influence reached Tchen-La, cradle of the Khmers, who would later raise Angkor as the crown of their civilization. At Angkor, perfume took on a monumental scale. The temples were perfumed with garlands, incense, and scented waters offered to the gods. Dancers, adorned with jasmine, betel, and wax candles, swayed like incarnations of Shiva. Their hair, crowned with golden caps, exhaled oils of flowers and herbs. Their long gilded nails extended their gestures like blossoms unfolding in the night. Before each performance, they bathed in sacred scented waters, blessed by priests, so that their movements would become offerings themselves. Perfume was also protection. In Cambodia, warriors received talismanic tunics inscribed with magic formulas, anointed with perfumes during solemn rites. Sprinkled with rosewater and incense, the fabric became a second skin of invulnerability. In battle, the scent of sanctity mingled with the roar of steel. Everywhere, incense burned in temples, mingling with prayers. Scented water was poured over statues of Buddha, golden petals covered his effigy, while monks sprinkled the faithful as a sign of purification and blessing. The Mekong became not only a river of life but a perfumed royal road. Even Marco Polo, arriving in the 13th century, was dazzled by the splendor of Khmer civilization. He described cities enveloped in incense, courts perfumed with oils, and women covered in flowers whose beauty seemed beyond human. In their dances, through smoke and fragrance, they appeared as celestial beings descended to earth. Thus, from India to Java, from the Mekong to Angkor, perfume remained the invisible ambassador of civilization. It was the essence that carried gods, myths, and beauty across oceans, weaving Asia into a single perfumed tapestry. Excerpt of "World Perfume Heritage" by Creezy Courtoy. The book will be released on Amazon in November.
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By Creezy Courtoy Perfume Historian, Anthropologist and Teacher India, renowned as the "Country of a Thousand Perfumes," is a vast land with a rich history deeply entwined with the art of perfumery. This title is well-earned due to the country's extensive cultural rites and religious traditions, which have fostered a profound appreciation for fragrances. Indian literature and daily life are richly imbued with poetic, perfumed legends, and the rituals involve offerings of flowers and scents to the gods as tributes during religious festivals. In ceremonies, statues of deities are cleansed with scented waters, and spaces are perfumed with rosewater, vetiver, saffron, and blanketed with blossoms. Life's pivotal events in India, from weddings to funerals, are enveloped in aromatic smoke, symbolizing a continuity of tradition. The bustling markets of India are a sensory feast, full of vibrant colors and the intoxicating aromas of countless spices and perfumes. Incense burns in abundance, and gifts of flowers and fragrances are tokens of hospitality and friendship. Perfume, known as "attar" in Hindi, plays an essential role in everyday life, symbolizing health, purity, beauty, and spiritual virtues. Indian women traditionally use kohl to enhance their eyes and indulge in scented baths, anointing themselves with oils like rosewood and tuberose, setting their hair with jasmine, and adorning their faces with floral nectars. Perfumery is esteemed alongside science, medicine, and arts; according to ancient texts, it fulfills the earthly goals of religious devotion, material prosperity, and sensory delight. Temples, or "gandha-kuti," are perfumed rooms dedicated to worship. Vedic scriptures, dating back 3,500 years, describe the fumigation of aromatic woods, linking perfumery with spiritual practices. Each God in Hindu mythology is associated with specific flowers, which devotees offer during worship. India abounds with raw materials essential for perfumery, including mace, nutmeg, cinnamon, clove, ginger, lemongrass, pepper, basil, patchouli, vetiver, jasmine, tuberose, roses.... Among these, sandalwood, considered the sacred national tree, has been cultivated for over 4,000 years. Its aromatic wood is essential for religious ceremonies and holds significant cultural value. The art of distillation, possibly refined under the influence of Persian advancements, is attributed to Indian origins. According to legend, the Indian princess Nūr Jahān discovered the process leading to modern distillation techniques. Akbar, the "Perfume Emperor," who ruled from 1556 to 1605, was passionate about scents, leading to a flourishing trade in floral essences at his court. Fragrance in India is not just a sensory delight but a tapestry woven into the very fabric of its culture, playing a crucial role in its spiritual, social, and economic life, extending its influence throughout Southeast Asia. Creezy Courtoy is teaching World Perfume History Course, Anthropology of Perfume and Natural Olfaction Training By Creezy Courtoy, Perfume Historian and Anthropologist For a long time, Perfume remained an important source of revenue for Greece. In the Bronze Age, Egypt, due to its geographical, protected and isolated location and by its geological wealth and cultures, was obliged to import raw materials from Arabia and the Aegean Islands. Egypt was rich in gold, but did not possess the raw materials necessary for making perfumes. Arabs, Hadramaout (South Yemen) and Dhofar (Oman) provided Egypt with scented woods and resins (myrrh, incense, olebanon) and Greeks provided flowers, herbs and their talents of perfumers in the confection of perfumed oils. Greece was then a country of farmers, breeders, Artisan Corporations and a fighting aristocracy. Greece was a country of scents, herbs, flowers and plants. Due to its geographical location and its numerous surrounding islands, Greece was a gateway to Asia Minor, Syria and Egypt. The Greeks are credited for having added to spices, to gums and to balms, oils scented with flowers. Flowers and plants used for export had to be preserved and transformed. Olive oil, one of the main resources of Greece, was used as an ointment and as an excipient or absorbent in perfume oils. The Greeks practiced ‘enfleurage’ and from an early age, the art of creating perfumed oils. In the time of Ancient Egypt, perfume was used mainly to communicate with the gods; during Ancient Greece, it was used to resemble the gods. Perfume was actually used by Egyptians but never throughout history could Egyptians, impregnated with fragrant scents, assist human divination, not only in the sculptural art that gave the gods their human faces and bodies, but also in the wearing of perfume that participated in this quest of perfection by making humans more divine. Since gods smell good, to be like them you must smell divinely good. The Greeks associate perfume to the erotic power of the union of two people. The Greeks buried their dead with their possessions and a terracotta vase or alabaster containing perfume. For poor people, vials painted onto the coffin replaced the alabasters. The perfume played the role of intermediary between the world of people and that of Gods and helped the dead to reach the other world. In everyday life, perfume was not a neutral thing, « thion », « myron » or a simple aroma but a feminine being. It was used in and for everything; as a life elixir, a nectar, and a ragweed. It gave hope of immortality to humans because the Gods were beautiful and immortal. For the author Virgil, Venus (Aphrodite) created the rose perfume. "One day, Venus wanted to cut a white flower and pricked herself, covering her with an everlasting purple color. To Cupid, the rose seemed so beautiful that he kissed it… This is where its smell comes from." Towards the end of the II Millennium BC, the Greek industry acquired knowledge, “art de vivre” and know-how that gave birth to the Europe of Perfumes. Pliny the Elder, in his Natural History text (XIII 9-12 XV, 28-38), mentioned at least 22 kinds of perfumed oils, most of them extracted from plants naturally growing on the island of Crete: cypress, marjoram, broom, iris, spikenard, rose, myrtle, laurel, crocus, lily, juniper, pine, nut, almond, carnation, poppy, coriander, aniseed, cumin, narcissus, and daisy. During the period of the Mycenaeans, even taxes were paid in plants. Circa 1450 BC, perfumery was truly an industry controlled by the Masters of the Mycenaean palaces. The decryption of linear writing par par Alice Kober in 1947 and Michaël Ventris et John Chadwick in 1952, found on 20% of the 7000 Mycenaean clay tablets of the islands of the Aegean Sea show that a prominent position was given to scented products, ointments, incenses, aromatic wine, perfume oils, and spices. Everything listed on these tablets provided a real accounting of orders and exports. Perfumery, in Greece was mainly a branch of medical science. Some odors excited or inspired while others healed. Hippocrates studied skincare in a comprehensive manner and advocated perfumed baths and massages combined with the use of aromatic substances to treat some diseases. He recommended remedies based on sage, cinnamon or cumin, applied either through fumigation, potions, frictions or aromatic baths. He also used perfume as a protection against diseases. It is said that he saved Athens from the plague by burning aromatic woods and hanging flower garlands in the streets. Hippocrates considered various oils used to preserve odors, the use of flowers and spices and the choice of a hundred perfumes for different states of mind and health both for men and women. "Because both senses – taste and smell – are linked one to another, each serves somehow the pleasure of the other and man can thus discover fragrances either because it pleases the taste or the sense of smell.’’ Théophraste (400BC Book of Odors – Chapter III) The Greeks were the first to utilize ‘’packaging’’ and ‘’marketing techniques’’. The alabasters, the oenochoes and the ariballoi were all made of terracotta decorated with trendy themes, perfectly understood by all the populations of the Mediterranean and all refer to Greek mythology or to major known themes. These vials were presented in various sizes in the same way as bottles are today: from the small inexpensive ariballoi vial containing little perfume to the enormous and expensive ariballoi jar which would today correspond to 1 litre of perfume. For a long time, perfumery items remained an important source of revenues for Greece. Cargos of wax-sealed vials and vases containing perfume oils were continuously leaving Peloponnese or Crete towards Mediterranean ports. Masters in the Art of creating perfumes; Masters in the Art of Cosmetics, ornament and make-up; Masters of the Art of packaging: the Greeks created the first industry of perfumery during Ancient times. If you want to learn more about the Anthropology and History of Greece or any other countries, enrol for Creezy Courtoy's Courses or Master Classes
By Creezy Courtoy, World Perfume Historian and Anthropologist My first passion has always been the impressive history of perfume and I could never think the way I think today if I did not spend all my life collecting perfume antique artworks and searching for the true perfume history. When you start searching, it never ends and still today I am looking for something; each piece leading me to more research. In the Arab World, perfume was precious, it was considered as pure gold. Let me invite you to follow me on the history of perfume in that part of the world. Circa 4000 B.C., the Sumerians built the first City States such as Sumer, Ur, Uruk or Nippur, along rivers. “Mesopotamia” literally means “the country between the two rivers”. Located between Tiger and Euphrates, this region currently corresponds to Iraq, Syria, Lebanon, Southern Turkey and Israel. Cuneiform writing carved onto the clay tablets reveals formulas and perfumes used by these ancient populations since the middle of the third millennium B.C. Lebanese cedar, cypress and myrtle were the three most used fragrances. Originally, the gods loved natural perfume and got close to those who wore them. This is why the servants of the temple covered their bodies with myrtle oils before carrying out the rituals and the offerings to the numerous gods. Perfumes were reserved to divinities, kings and temple worship. Gilgamesh, King of Uruk, lived a rather eventful life, characterized by his vain quest for immortality. Perfume, the most noble and precious element then made its way into his alchemy research. The relation between medicine and gods was very close. One of the healing gods was the two-headed snake Ningishzida. The snake, symbol of eternal life, might have been the first icon of caducei. His name in Sumerian is translated as “lord of the good tree”. About 1000 years later, the Akkadians replaced the Sumerians and created the first empire of the world ruled by Sargo the Ancient.
Phoenicians sailors and traders settled on the coast of Lebanon and build colonies in Cyprus, Crete, sicilia, malta and Northern Africa. Tyr, their capital, having enjoyed a permanent relation with Egypt and Mesopotamia, became one of the most important ports. Circa 1900 B.C., Babylonians replaced Akkadians. Hammurabi (1792-1750 B.C.), created the powerful empire of Babylon. Babylon remained the main warehouse of spices from all over the world for a long time. It received spices from India and from the Persian Gulf, scented gums from Arabia and balms from Judea. Nabuchodonosor I (1124 B.C.) had his palace built with cedar beams and cypress doors that smelled kilometers away. According to Herodotus, over 1000 talents of pure incense were burnt every year on the altar of Belus. Zoroaster prescribed the use of perfumes on altars five times a day. In the hanging Gardens of Babylon, one of the seven wonders of the Ancient World, all the scented plants were showcased. According to Diodorus, (Greek columnist of the 1st century, contemporary of Julius Caesar) cedar, mimosa, Arabian jasmine, lily, crocus, iris, violet and rose, gave the Kingdom the reputation of owning the most beautiful roses of the Ancient Orient. Chaldeans, circa 600 B.C., represented the last civilization of Mesopotamia with two famous Kings: Nabopolassar and Nabuchodonosor II. They inherited a great culture, developed astronomy, astrology and added all this science to the Art of Perfumery. Plants and resins must be collected at certain times in the day, or at a precise moment in the year in order to reinforce their efficiency. The fall of Babylon, conquered by the Persians in 539, did not upset the trade of perfumes. Focused on the fringes of the desert, the caravan kingdoms owed an important part of their prosperity to the trade of perfumes. Sidon (then Carthage) replaced Babylon as the capital of perfume and spices. For the Cananeans as well as for Babylonians, Phoenicians and Sabaeans, perfumes and spices were both pure gold and divine message. For thousands of years, they carefully preserved the trade and even caused wars. Arabia Felix, also called the “Fertile Crescent”, stretched from Oman to the Suez Gulf and across its length were paths taken by the caravans. Called “The Perfume Roads”, these ancient trails linked the south to the North of this continent and crossed the deserts of one of the oldest countries in the world. To ensure the security of the trade on The Perfume Roads, in the 10th century B.C., Balkis, the Queen of Sheba organized a meeting with Solomon, the Hebrew King... If, like me, you are impassioned by World Perfume History, I will be happy to transmit my knowledge to you and tell you more about the Perfume History in the Arab World. We definitely need more perfume history teachers to make sure the perfume heritage will be preserved and transmitted to the next generations. |
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